{"id":2930,"date":"2018-10-09T11:43:00","date_gmt":"2018-10-09T09:43:00","guid":{"rendered":"http:\/\/wptestsite.tecnavia.com\/chiesedisicilia_clientsite\/news\/2018\/10\/09\/monreale-settimana-della-musica-sacra-2\/"},"modified":"2018-11-12T07:58:06","modified_gmt":"2018-01-16T07:58:06","slug":"monreale-settimana-della-musica-sacra-2","status":"publish","type":"post","link":"https:\/\/www.chiesedisicilia.org\/2018\/10\/09\/monreale-settimana-della-musica-sacra-2\/","title":{"rendered":"MONREALE. SETTIMANA DELLA MUSICA SACRA"},"content":{"rendered":"
Una interna settimana dedicata alla musica sacra che risuoner\u00e0 all’interno del Duomo di Monreale . L’iniziativa porta la firma del Teatro Massimo e dell’Orchestra sinfonica siciliana. Il primo concerto \u00e8 in programma marted\u00ec 9 ottobre 2018, alle ore 21: il maestro del Coro del Teatro Massimo, Piero Monti, diriger\u00e0 l’Orchestra che suoner\u00e0 musiche di Antonio Vivaldi,\u00a0Francis Poulenc e Claude Debussy.<\/span><\/span><\/o:p><\/span><\/div>\n
Ecco il programma in dettaglio.<\/span><\/span><\/o:p><\/span><\/div>\n
\u00a0<\/span><\/span><\/div>\n
Marted\u00ec 9 ottobre, ore 21.00<\/span><\/b><\/span><\/span><\/o:p><\/span><\/b><\/div>\n
Piero Monti <\/span><\/b>direttore<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Gabrielle Philiponet <\/span><\/b>soprano<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Massimo Barrale – Donato Cuciniello <\/span><\/b>violini<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Piero Monti<\/span><\/b>, maestro del coro<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Coro di voci femminili del Teatro Massimo di Palermo<\/span><\/b><\/span><\/span><\/o:p><\/span><\/b><\/div>\n
Orchestra Sinfonica Siciliana<\/span><\/b><\/span><\/span><\/o:p><\/span><\/b><\/div>\n
\u00a0<\/div>\n
<\/p>\n
\u00a0<\/span><\/i><\/div>\n

<\/span><\/span><\/div>\n

Concerto in coproduzione con il Teatro Massimo di Palermo<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
Antonio Vivaldi <\/span><\/b>Concerto in fa maggiore<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
a molti strumenti RV569 <\/span><\/i>per violino,<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
due oboi, due fagotti, due corni,<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
archi e continuo<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Antonio Vivaldi <\/span><\/b>Concerto in la minore RV522<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
per due violini, archi e continuo<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Francis Poulenc <\/span><\/b>Litanies \u00e0 la Vierge noire<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
per coro femminile e orchestra<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Claude Debussy <\/span><\/b>La Damoiselle \u00e9lue<\/span><\/i>, cantata per soprano,<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
contralto e coro femminile su testo<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
1862 – 2018 di Dante Gabriele Rossetti<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
(nel centenario della morte di Debussy<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
\u00a0<\/div>\n
<\/p>\n
\u00a0<\/span><\/b><\/div>\n

<\/span><\/span><\/div>\n

Mercoled\u00ec 10 ottobre, ore 21.00<\/span><\/b><\/span><\/span><\/o:p><\/span><\/b><\/div>\n
Rosalia Battaglia <\/span><\/b>soprano<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Aurelio Schiavoni <\/span><\/b>controtenore<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Ensemble di musica antica \u201cAlessandro Scarlatti\u201d<\/span><\/b><\/span><\/span><\/o:p><\/span><\/b><\/div>\n
del Conservatorio di Palermo<\/span><\/b><\/span><\/span><\/o:p><\/span><\/b><\/div>\n
Valeria Caponnetto <\/span><\/b>violino<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Andrea Beatriz Lizarraga <\/span><\/b>violino<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Andrea Rigano <\/span><\/b>violoncello<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Luca Ghidini <\/span><\/b>contrabbasso<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Ignazio Maria Schifani <\/span><\/b>maestro al cembalo<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
\u00a0<\/span><\/span><\/span><\/div>\n
Concerto in collaborazione con il Conservatorio Vincenzo Bellini<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
di Palermo<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
Alessandro Scarlatti <\/span><\/b>Salve Regina <\/span><\/i>per soprano, alto,<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
2 violini e continuo<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Stabat Mater <\/span><\/i>per soprano, alto,<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
2 violini e continuo<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
\u00a0<\/div>\n
<\/p>\n
\u00a0<\/span><\/b><\/div>\n

<\/span><\/span><\/div>\n

Gioved\u00ec 11 ottobre, ore 21.00<\/span><\/b><\/span><\/span><\/o:p><\/span><\/b><\/div>\n
Giorgio Carnini <\/span><\/b>organista<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
\u00a0<\/span><\/span><\/span><\/div>\n
Johann Sebastian Bach <\/span><\/b>Toccata e fuga in re min. <\/span><\/i>BWV 565<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
Corale Nun komm\u2019 der Heiden<\/i><\/span><\/span><\/span><\/o:p><\/i><\/span><\/div>\n
Heiland BWV 659<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
Preludio e fuga in si min. BWV 544<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
Felix Mendelssohn <\/span><\/b>Sonata VI in re min. <\/span><\/i>sul corale<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Vater unser in Himmelreich op. 65<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
C\u00e9sar Franck <\/span><\/b>Trosi\u00e8me choral en la mineur<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
\u00a0<\/div>\n
<\/p>\n
\u00a0<\/span><\/b><\/div>\n

<\/span><\/span><\/div>\n

\u00a0<\/div>\n
<\/p>\n
\u00a0<\/span><\/b><\/div>\n

<\/span><\/span><\/div>\n

Sabato 13 ottobre, ore 21.00\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/b><\/span><\/span><\/o:p><\/span><\/b><\/div>\n
Fabio Maestri <\/span><\/b>direttore<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Vincenzo Pirrotta <\/span><\/b>voce recitante<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Orchestra Sinfonica Siciliana<\/span><\/b><\/span><\/span><\/o:p><\/span><\/b><\/div>\n
\u00a0<\/div>\n
<\/p>\n
\u00a0<\/span><\/b><\/div>\n

<\/span><\/span><\/div>\n

Franz Joseph Haydn <\/span><\/b><\/span><\/span><\/o:p><\/span><\/b><\/div>\n
Le Ultime Sette Parole del Nostro<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
Redentore sulla Croce,<\/span><\/i><\/span><\/span><\/o:p><\/span><\/i><\/div>\n
Hob XX, 1 <\/span><\/i>versione per orchestra, 1787 –<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
Commenti poetici di Valerio Magrelli, 2009<\/span><\/span><\/span><\/o:p><\/span><\/div>\n
\u00a0<\/span><\/span><\/div>\n
L’ingresso ai concerti \u00e8 libero. [01]<\/span><\/span><\/o:p><\/span>\u00a0<\/span><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[30],"tags":[],"news-destination":[],"news-source":[],"is_homepage":[],"ta_other":[],"_links":{"self":[{"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/posts\/2930"}],"collection":[{"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/comments?post=2930"}],"version-history":[{"count":1,"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/posts\/2930\/revisions"}],"predecessor-version":[{"id":21409,"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/posts\/2930\/revisions\/21409"}],"wp:attachment":[{"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/media?parent=2930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/categories?post=2930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/tags?post=2930"},{"taxonomy":"news-destination","embeddable":true,"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/news-destination?post=2930"},{"taxonomy":"news-source","embeddable":true,"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/news-source?post=2930"},{"taxonomy":"is_homepage","embeddable":true,"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/is_homepage?post=2930"},{"taxonomy":"ta_other","embeddable":true,"href":"https:\/\/www.chiesedisicilia.org\/chiesedisicilia\/news\/wp-json\/wp\/v2\/ta_other?post=2930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}